"King Of New York" was one of the
least disciplined
writing sessions I've been involved in.
Producer Bob Rock booked me for a writing session with the Quireboys for
their
"Bitter Sweet And Twisted" album. They had four days available, with a suggested 1:00PM start-time each
day.
On the first day, 1:00PM came and went ... no Quireboys.
Their tour manager, Bobby Thomson, phoned at 2:00 to say Jonathan and Guy were running late and they'd arrive at my studio by 3:00.
They finally arrived at 4:00, looking dreadful and complaining
of horrendous hangovers, having partied heavily the night before.
No worries. I made a pot of tea and we got down to business.
They played me an idea they were working on called "King of New York".
They had a rough musical sketch, but little more. By dinner hour
we'd managed to get the structure of the song "mapped out", and the
boys headed off for the evening.
Next day, Wednesday, I received a number of phone calls from Bobby, at regular intervals, each time promising the boys' imminent arrival. By four o'clock
Bobby had to admit they wouldn't be coming in that day at all, as the previous
evening's debauchery had been even more damaging than the night before.
No worries.
Next day, Thursday, Jonathan and Guy made it to my studio by 3:00PM, looking
worse than they had on the first day. Oh dear. A pot of hot tea and
we got to work, making further progress on the song.
Thursday evening Bob Rock called to see how things were going, seeing as Friday
was to be our last day. He wasn't pleased to learn that the boys hadn't taken full
advantage of their time with me.
Bob must have given the boys a stern talking-to, because they arrived punctually
at 1:00pm on Friday, our last day. As a result, were able to get the song finished and demo'd, more or less "on schedule".
Here's Spike from a January 2025 interview with
"Classic Rock" magazine:
"Jim Vallance was a lovely bloke, but he wouldn’t let me smoke. I looked at Guy Bailey and knew we had to get the fuck out of there as quickly as possible, so we wrote the song [
The King Of New York] and were gone in two minutes flat. To me it’s shit. I only wrote it to get a fucking cigarette!”